Review - The Merchant of Venice

The RSC ‘s latest production of the Merchant of Venice directed by Rupert Goold and starring Sir Patrick Stewart is a production that has to be seen to be believed!

I have always thought that Shakespeare’s plays can transcend any era and thereby appeal to audiences of any age. However, this production takes this idea to a new level by setting the play not in Italy but in Las Vegas - complete with its own casino and hip shaking, singing Elvis! The question of who will marry Portia is still decided through the choosing between the gold, silver and lead caskets but this has been modernised into a cross between a weekly game show and a reality TV show called Destiny as each suitor by choosing a casket, chooses their destiny. I have seen many Shakespeare productions given a more modern setting but the idea of this staging seemed quite outlandish – and yet, it worked! Not only did it work, but it worked so brilliantly that you were left in awe at how well it transposed to this setting.

Portia , under the terms of her late Father’s will is obliged to marry the suitor who chooses from amongst the caskets of gold, silver and lead and finds the one containing her portrait. The young Venetian Bassanio is determined to woo and marry Portia and so to improve his chances, asks his good friend Antonio a rich merchant to lend him the money ($3 million) to fund his voyage and improve his status. Currently short of available cash owing to his ships being at sea, Antonio borrows the money from Shylock, a Jewish money lender, who charges extortionate rates of interest and who Antonio has previously insulted. Shylock proposes as terms of the loan that instead of interest, if Antonio refuses to pay back the money in the time specified, he will be entitled to a pound of Antonio’s flesh. Meanwhile, Bassanio’s friend Lorenzo elopes with Shylock’s daughter Jessica who brings with her money and jewels stolen from her father. Distraught at the loss of his daughter, but more importantly his money, Shylock seizes on the news that Antonio’s ships have been lost and sea and demands his pound of flesh...

The play has everything you would expect from Shakespeare, comedy, tragedy, mistaken identity and above all some excellent soliloquies. Patrick Stewart delivered his infamous speech “Hath not a Jew eyes...”with such brilliance that he captured the attention of the entire audience. The speech by Portia disguised as the attorney sent to judge the case of Antonio V Shylock, ”The quality of mercy is not strained...” was also beautifully delivered and added a poignancy to the scene. It was also interesting to see how many phrases we use in modern day language seem to have emanated from this play; in the twinkling of an eye, cut-throat, blinking idiot and all that glisters is not gold. The fact that these words are still used today combined with the modern setting of the play made it seem more natural and definitely more accessible. Anyone who had ever thought Shakespeare boring and irrelevant to our time would be forced to think again after seeing this production.

Patrick Stewart who as you might expect from an actor of his reputation and calibre gave a powerful performance but didn’t dominate the whole production as he blended well with the other actors in the ensemble. Susannah Fielding is also worthy of a mention as the dizzy blonde Southern belle Portia who then transforms into the learned, eloquent young lawyer sent to try the case of Antonio and Shylock. There were many other fine performances from the cast and I enjoyed how they used different American accents to portray the various characters and make them more individual and idiosyncratic.

Emily Plumtree as Nerissa,Susannah Fielding as Portia & Patrick Stewart as Shylock

The production was a delight to watch from start to finish and quickly dismissed any previous misconceptions I had about the play at the start. If you are able to catch a performance before the run ends in September then I highly recommend it as I couldn’t praise it enough.

For more information on this and other RSC productions, go to www.rsc.org.uk and follow the RSC on Twitter http://twitter.com/#!/thersc